Yet another show I loved to watch during it’s earlier days was Moesha, featuring Brandy Norwood as Moesha Denise Mitchell, a high school student living with her family in the Leimert Park neighborhood of South Central Los Angeles. Like a lot of television shows that move past a 4th or 5th season, it went into a new direction, as indicated in The Los Angeles Times article, “Hot Topics Thicken Plot for ‘Moesha’ : Television: UPN comedy turns to grittier material that veteran staffers call stereotypical“:
“Moesha” is experiencing growing pains.
The UPN comedy, which stars Brandy, is in the midst of being revamped by the network and its producers, Big Ticket Television, as it moves through the remainder of its fifth season. The changes include more gritty and topical story lines involving children born out of wedlock, family deception and betrayal, gangs, sex, Internet relationships and drugs.
“We are all looking for February sweeps episodes that make ‘Moesha’ appointment television for every week of sweeps,” read a Nov. 13 memo from UPN to producers.
Disagreements over this shift of direction, which will begin around February, led to last week’s firing of Vida Spears, one of “Moesha’s” three creators, who had remained with the series. With Spears’ departure, several production sources feel that the very foundation of the series is being shaken. The restructuring will also mean greater influence for Brandy and her manager and mother, Sonja Norwood.
In the wide-ranging spectrum of television shows revolving around African-American characters, “Moesha” has always stood apart from the pack. The show’s creators–Spears, Sara V. Finney and Ralph Farquhar–explored largely uncharted territory, basing the comedy around a precocious black teenage girl. They also put at its center a stable middle-class black family with strong values, free of dysfunction and ruled by an overprotective but well-intentioned father who fought to maintain high moral and ethical standards within the family unit.
But as Brandy moves into adulthood, and her character moves into college, UPN, Brandy and her mother felt the show had lost much of its relevance and depth. The concern was that Moesha and her family had become “too perfect,” turning the comedy into more of a Saturday-morning version of a black family.
The show’s writer/producers were repeatedly pressed to add edgy elements to the show, but the creative forces behind “Moesha” successfully opposed it. So “Moesha” did not include stories of black gangs and guns or sex among young people.
Since its debut in August 1996, “Moesha” has won critical acclaim and accolades from parents, including a Parent’s Choice Silver Honor in 1996. Along the way it has become a staple of UPN’s prime-time schedule.
Spears had resisted the changes, production sources said, wanting to stay true to the show’s core roots of family values. But UPN Entertainment President Tom Nunan characterized the changes as necessary to recapture the honesty and authenticity of “Moesha.”
Changes Stir Anxiety Behind the Scenes
The most significant shift in direction–and the one causing the greatest behind-the-scenes anxiety–revolves around Moesha’s father, Frank Mitchell (William Allen Young), and a new character named Dorien, a troubled teen who moves into the Mitchell household. The character is played by Ray J, Brandy’s brother.
Larry Lyttle, president of Big Ticket Television, called the plot line one that will open up a wide range of possibilities for the characters.
“We’re really going to expand the boundaries,” said Lyttle. “We’re creating a situation where we’re showing that a family is not always perfect, that the Mitchell family can have faults and defects just like any other family, regardless of ethnicity. The father is a really good man, but something happened when his marriage was experiencing some ups and downs, and it’s painful for him to acknowledge. This will put a stress and strain on the family. It won’t invalidate him in any way. They will have to learn how to deal with his hypocrisy.”
Another story line may have the Dorien character flirting with getting involved with gangs at Crenshaw High. Other ideas being proposed include Moesha losing her virginity, Moesha’s stepmother Dee (Sheryl Lee Ralph) becoming pregnant, Frank discovering he may have cancer, and Dorien sleeping with a girl who says she’s HIV-positive.
A Stable Father Faces Complexities
Dorien was introduced in this season’s opener as Frank’s 16-year-old nephew and Moesha’s cousin, who had run away from home when he was upset that his father stood him up. But in an episode now planned for the February sweeps period, Frank will reveal that Dorien is actually his son, whom he had out of wedlock with another woman while still married to Moesha’s now-deceased mother. Dorien had been raised by Frank’s sister.
Spears had written the season opener, in which there is no indication of a hidden relationship between Frank and Dorien. The idea was conceived by the newly named executive producers Fred Johnson, Jacque Edmonds and Warren Hutcherson, who were all promoted from co-executive producer positions.
The revelation, complain show insiders, obliterates the established background of Frank, who had been portrayed as an upstanding professional man and loving father. It will expose him as a liar to his family, possibly alienate longtime fans, and feed into stereotypes about black men who abandon their children, they fear.
Like Gene Roddenberry’s Andromeda‘s 5th and final season, it may be OK to simply behave as if none of this ever existed.
According to the Variety review:
It’s hard to tell what type of direction the series will take from just one seg, but the team behind “Moesha”– Ralph Farquhar (creator of the controversial “South Central”) and the writing team of Sara V. Finney and Vida Spears (“Family Matters”) — promise to bring a mix of social issues and wholesome comedy to future episodes.
Norwood, already having sold 3 million-plus albums, takes on her first starring role (she was a regular on the short-lived “Thea”). She’s a likable kid , and her supporting cast of girlfriends — especially Countess Vaughn as the boy-crazy Kim — are sassy and full of street talk and slang; cast’s chemistry manages to transcend the rather stale storyline.
Fact that series is filmed frees up director Stan Latham’s camera, giving “Moesha” a sophisticated look, although it is filmed mostly in front of a studio audience, which must be restrained from “Wooo!”-ing every time a character utters a line about the attractiveness of the opposite sex.